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An Evening With Black Clock

March 01st, 2010 | Events

An Evening With Black Clock

New York readers, please join us Sunday, March 21, 2010, for a special presentation of and by five of Black Clock’s earliest contributors:

  • Samuel R. Delany
  • Shelley Jackson
  • Rick Moody
  • Joanna Scott
  • Lynne Tillman

at America’s best literary bar, KGB.

4 PM - 6 PM
March 21, 2010

KGB
85 East 4th St.
New York, NY 10003
212-505-3360

Admission is free (but the booze is not).

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Black Clock 11 Makes Mysterious Connections

October 20th, 2009 | News

Forsaken cities and blasted landscapes, characters in exile from their own times, mysterious connections in the air just beyond the grasp of those who barely understand them: Black Clock 11, California Institute of the Arts’ (CalArts) acclaimed literary journal, is slated to arrive on the stands mid-November. This issue features work by such prominent authors as Joanna Scott, Chris Abani and Susan Straight, and introduces the usual selection of dazzling new voices.

In Richard Powers’ “Over the Limit,” freely adapted from his just published novel, a young African woman genetically predisposed to happiness stands at the nexus of a brilliant, narcissistic scientist and the discontented moderator of a TV news magazine.  In Rob Roberge’s “Stooge” and Lou Mathews’ “Hollywoodski,” Vegas drug deals go bad and drunken Tinseltown conversations run wild, and in Antonia Crane’s “Rosebud,” a self-designated “sexual outlaw” and stripper looking to retire gets caught up in the intrigues of an aging decadent Hollywood couple.  In “This Is How the Past Turns Up”, Greil Marcus charts one of his patently revelatory longitudes between Barack Obama’s election-night victory speech, the fiction of Philip Roth, and Sam Cooke’s perennial contender for the greatest record of all time, “A Change Is Gonna Come.”

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Black Clock 8 Embarks On Outer And Inner Journeys

January 04th, 2008 | News

The eighth issue of Black Clock arrives on newsstands and in bookstores in early January 2008. The stories and poetry in the newest issue of California Institute of the Arts’ (CalArts) literary journal are “loosely linked by the idea of physical and emotional nomadism,” said editor Steve Erickson. “These are travels and sojourns of the outward and inward sort, guided by such writers as Geoffrey O’Brien, Susan Straight, Tom Carson, Lisa Teasley, Yxta Maya Murray, Chris Kraus, Michael Ventura and others.”

From the cover image of a tunnel leading deep into the magazine’s pages, Black Clock 8 speaks to our wanderlust even if, as in the case of Geoff Nicholson’s “A Walk Around the World,” the central character decides to walk a distance circling the globe all within his own backyard. In “The Sting of Irrelevancy” author Joanna Scott is stranded in Rome and finds herself contemplating Jorge Luis Borges’ wandering dreamers, while in Lewis Shiner’s “Wonderland” the protagonist’s journey takes him only a few blocks from where he lives and works into 1960’s Harlem–which might as well be another planet.

Published by CalArts in association with the MFA Writing Program, Black Clock features work by prominent national writers, talented regional authors and the very best emerging writers.

Black Clock’s staff includes Erikson, a novelist, critic and CalArts MFA Writing Program faculty member in addition to being the magazine’s Editor, Senior Editor and adjunct member of CalArts Writing Program faculty Bruce Bauman, Editor-at-Large Dwayne Moser, Managing Editor Michaele Simmering and Art Director Ophelia Chong.

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